What the artists are saying about LAUNCH PAD preview productions:
"LAUNCH PAD is a unique opportunity to develop a new work gradually and consistently in a focused environment -- a beautiful sunny ocean side one at that! Risa Brainin, her colleagues and students encouraged me to take risks to keep honing and evolving my play. The attitude was alway "yes" oriented. The work ethic was off the charts as was the positivity and joy for new creation. I could not be more proud of the work we created together."
- Idris Goodwin, playwright, We Want the Funk
"From the start, Risa created an environment that fostered creative freedom, stimulation and absolute exhilaration for all involved. The students' work with me and the Risa, their experience as participant-contributors to the birth of a new play, was a pleasure for me and an eye-opening learning experience for them."
- Barbara Lebow, playwright, La Niñera: The Nursemaid, and Plumfield, Iraq.
"The play has advanced more in the three weeks I have been here than it had in the three years I had worked on it on my own; something I attribute to both the sublime talents of Risa and the cast, and to their indefatigable work ethic and collaborative spirit."
- Sheri Wilner, playwright, Kingdom City
"I loved my time working at UCSB with Risa and the students. It was a nurturing, playful environment where the playwright was listened to."
- Sarah Ruhl, playwright, Melancholy Play
"In my mind, this program creates the next generation of theatre artists, who are sensitive to the new play process and adept at helping draw out the writer's intent. LAUNCH PAD is one of the most exciting new models for new play development in the country, because it gives playwrights a much needed opportunity to shape and explore text in the crucible of production... This work is often too risky and time-consuming for professional theatre, and so playwrights are often developing plays in the rarefied air of a reading series or a staged reading/festival. At UCSB, they actually do the play."
- John Walch, playwright, The Dinosaur Within
"Risa Brainin asked me to work on her production of Sarah Ruhl's Melancholy Play, and through the auspices of the UCSB Theatre/Dance department, commissioned me to compose a score. It was a great experience to collaborate with her and her talented and devoted students, and that experience led to more collaborations with Sarah in Los Angeles, and more productions of the play using my score over the past few years in Seattle, Texas, Florida, Kentucky, Massachusetts, et al. For all of that, I am indebted to Risa. I am as ever admiring of the good work she does, and well aware how lucky the UCSB community is to have Risa and LAUNCH PAD under her leadership - and would be happy to offer whatever support that I can offer for the great experience it will offer to her students and to the arts in general."
- Michael Roth, composer, Melancholy Play
"LAUNCH PAD allows the play comes to life for the first time in a safe, genuinely collaborative environment. I loved working with a combination of accomplished theater artists such as Risa Brainin and Anne Torsiglieri, and their talented, dedicated students."
- Alison Tatlock, playwright, Untitled IV by Ruth Markofsky
"Risa Brainin is a virtuosic director and visionary. Working with her on 'Kingdom City' and watching her usher in this powerful new play, was one of the most exciting theatrical experiences of my career as a professional actor. Any actor, whether student or professional, involved in one of her productions is in for a profound learning experience."
- Anne Torsiglieri, actress, Kingdom City, Entangled, Appoggiatura, Untitled IV by Ruth Markofsky
"LAUNCH PAD is a luxury offered to few playwrights: A workshop that also functions as a full-fledged production of your play. Drawing on all the departments and activities that are involved in a regular theater production: costume, set-design, lighting, props, several week rehearsal, lines learnt, full staging, posters, publicity, the works. And it’s still called a workshop so you can go premiere it at another theater. In the usual development process with a first draft, you might get a few days rehearsal and a staged reading; at LAUNCH PAD, they will roll the dice with that first draft and give you an all-hands-on-deck, full production instead. Needless to say the insights into your play that this offers you are invaluable and allows you to make the kind of changes that might come much later. Also, with all this dedicated work applied to your play, it concentrated my mind wonderfully knowing that while this was just a pass at my play — another draft in the development process (that no critic was going to review) — it also wasn’t, because it was a full production of my play! So I’d better get it right! It was just the right combination of feeling safe to explore (it’s a workshop), while being gently prodded to make the kind of decisions you have to make when you’re rehearsing for a “world premiere”.
- Yussef El Guindi, playwright, The Talented Ones
What the artists are saying about the LAUNCH PAD Summer Reading Series course:
"LAUNCH PAD was an extraordinary experience. Under the direction of Risa Brainin my play was given a remarkable scrutiny, analysis and public reading. Scenes were rigorously studied and actors excelled. I rewrote each evening with much enthusiasm."
- Joyce Carol Oates, playwright, Bad Touch
"The LP experience with my new play-in-process ("Gun Play") was richly, and excitingly, helpful to its continuing development. The student actors were fully committed to the process. Under Risa's direction, as I've seen her do with professional actors, they worked hard at understanding the characters and inhabited them fully. They joyfully questioned, commented, and experimented, all the while enlightening me about what I had written. Their participation in discussion with the audience at the reading was insightful and supportive. The play was clarified and enriched by that extraordinary week! And it continues to grow."
- Barbara Lebow, playwright, Gun Play
"Simply put, I had an amazing four days working with LAUNCH PAD. Risa and her students brought my big play-in-progress to life with passion and skill, and I was truly humbled by their hard and awe-inspiring work. They allowed me to really "see" my play for what it can and should be now. This is a gift they gave me and I can't thank them enough. I'm one lucky playwright."
- Jami Brandli, playwright, Soldadera!
"Many new play development programs have a format that they plug playwrights into. Not LAUNCH PAD. Risa Brainin asked me what I needed. And then gave it to me. I needed to see my play in motion. It’s a backstage farce. It has to walk and talk. Risa set up a couple of “prop doors” on the stage and the actors spent the week walking around while reading the script. It was just what the doctor ordered. I was able to do the kind of revisions that prepared the play for a production."
- Deborah Brevoort, playwright, Velvet Weapon
"LAUNCH PAD lived up to its name, and then some. It was just the residency I needed to launch this play. The students were a delight to work with and Risa and LAUNCH PAD gave me all the resources and support I needed to tackle the work. An added bonus: they are lovely people and Santa Barbara's a pretty gorgeous place to write a play. What good fortune. What a gift."
- KJ Sanchez, playwright, Too Much Water
"Our week at LAUNCH PAD this summer was invaluable. The students were dedicated, and Risa Brainin provided us with the space, time, and resources to explore new material. LAUNCH PAD is a true gift for theater-makers."
- Jenny Mercein, director, Too Much Water
"For me, the LAUNCH PAD Reading Series offered another crucial partnership with new plays: an intensive focus on a work in process with the commitment ON process. For my new play April 4, 1968: Before We Forgot How to Dream, we found imaginative ways to cast the play (across age, gender, and race) with a mix of students and faculty. The public sharing was very well attended and I loved the sense from the audience that they were part of something special, something new, something never before heard before."
- James Still, playwright, April 4, 1968
“Any dedicated, focused opportunity to explore and develop a new piece is manna from the heavens to the creators. The summer LAUNCH PAD sessions — with actors, director and the all-important “test audience” — provide this invaluable experience."
- Brad Carroll, composer, "A" Train
"In 2016, I developed my play, Staging the Daffy Dame, in UCSB's LAUNCH PAD program under the remarkable direction of Risa Brainin. My collaboration with Risa, the UCSB students, faculty and professional actors, gave me so much inspiration, insight and guidance as I continue to shape my new play. LAUNCH PAD is a unique and valuable opportunity for professional playwrights to develop new work. LAUNCH PAD combines the power of academic and artistic rigor with the talents of undergraduate actors and seasoned professional actors, as all collaborate in a laboratory environment that emphasizes process, experimentation and discovery. "
- Anne García-Romero, playwright, Staging the Daffy Dame
"Working with LAUNCH PAD last summer was one of the highlights of my academic year. To share the development of a new play with a group of playful and rigorous colleagues and students at the campus museum was nothing less than an education all by itself. Risa Brainin's detailed and flexible approach to collaboration fosters a creative environment in which people feels invited to express their opinions with great honesty and precision. Every voice matters. Anne García-Romero's piece was an exploration of contemporary issues of gender and ethnicity through the lens of a Golden Age "comedia" by Lope de Vega. As a scholar that works on Lope and Renaissance and Baroque drama, I welcomed this opportunity to combine theory and practice. The process was for me a rewarding marriage of academic research and aesthetic invention. This is the kind of experience our curriculum should always aspire to produce."
- Leo Cabranes-Grant, dramaturg, Staging the Daffy Dame
"The LAUNCH PAD summer program stretched me as a writer like nothing else. The daily rewrites were intense, but incredibly fruitful and rewarding since they were all based on powerful insights I had gained at rehearsals with the actors the evenings before. Risa and her crew were nothing short of amazing: I felt fully supported in my craft, and the end result, the public reading, felt really good. It was like the actors had been rehearsing for weeks instead of days! I highly recommend this course to any UCSB student, and I'm so glad my department is doing so much to promote new voices in American playwriting."
- Christina McMahon, playwright, STANDBY